Love Streams

by Robert Leeming

Susannah? When did I see her last? We've been through all this. Haven't we? Outside Peter Jones. We'd been to Cadogan Hall and she'd just been offered an international tour playing second cello in a Candide revival. We've discussed this. I set it up for her. You've got to be a fixer in this life, there's nothing better to be than a problem solver, to take on other people's burdens seamlessly, confidently, because you have all the answers.

I had all the answers. I scribbled them all down in a notebook. I was one of those insufferable people who kept a notebook, a diary. Chatto and Windus published it and the book topped the New York Times bestseller list. I was a bestselling writer. I sat on the set of The Tonight Show, talking to Johnny in my Brooks Brothers suit, smoking my Lucky Strikes, talking about how Henry Miller had considerably altered my perception of life, even though I've never read him. My publisher gave me a gold watch because I'd sold so many copies, all while Susannah was playing second cello in second-rate cities across America. She must have seen my face on the television, she must have, appearing through the static on one of those motel sets as a Missouri cloudburst rattled the metal blinds in her bedroom.

She used to take me to concerts, Mahler and Bruckner and Charles Ives, even though I liked rhythm and blues and only rhythm and blues she insisted that I gave these things a try. They played Mahler's 5th Symphony and I hated it, apart from a couple of seconds, a bar I suppose, of the Adagietto, about eight minutes in when the strings made me feel like I'd stumbled into a universe full of pillows. So, tired, in other words.

We went to a Venetian coffee bar. After the concert. Did I mention we were in Venice? For her birthday. It was the Feast of the Redeemer, the Festa del Redentore, and there were fireworks exploding everywhere, coloured light licking the top of terracotta steeples and terracotta tiled domes, and it was too crowded. Oh, how I hate crowds, nothing beautiful should ever be crowded, don't you think? Well, Venice was full that weekend, people were surging through the piazzas shouting and yelling and carrying colourful streamers and all the boats out on the lagoon were blaring their horns.

I said something meaningful to her, like, 'I've never been so happy in all my life', or some such thing, but she didn't hear me. I can always say something meaningful amid a clamour, but I can never speak my mind in total silence. Strange that, isn't it?

We kissed by the Lido. There was too much noise and someone kept tugging at my sleeve trying to sell me firecrackers. We made love in The Gritti Palace. We flew home.

A year or so later her depression set in and I arranged for her to get away and the last time I saw her was after that concert. At Cadogan Hall. Outside Peter Jones, remember?

Funny, every single vestige of that night that I had on my person when we returned to London Airport is still collecting dust on my writing table. The ticket stub for the concert, the receipt from the coffee bar and a couple of matchbooks from here and there, little pieces of a night that I had little recall of and didn't even like all that much at the time. It all seemed to mean so little to me then, but means so much now.

I'm losing track of things. I can't remember where I left my cigarettes, my loose change. The love streams of my life have stopped leading anywhere in particular. People still ask me to sign that book, its purple dust jacket increasingly battered in the copies I see these days. Please tell me I haven't written something enduring, something abiding, I couldn't cope with that, no, never. Time shows up all dishonesty in the end.

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